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Video and motion

Overview

Videos are an incredible way to showcase our company and brand around the world. Maintaining a unified brand identity across all of our video content helps to build trust and credibility with customers and non-customers alike, enhancing recognition and strengthening brand recall in the market. A cohesive brand identity fosters emotional connections, reinforces brand values and supports cross-platform marketing.

Please note

All externally facing videos must be developed in partnership with the Brand Studio or The Lab. Please contact Nathan Cook (Brand Studio) or Byron Gatt (The Lab) before starting a project.

Our philosophy

Kyndryl, we prioritize authenticity and clarity across our video content.
Speaker our philosophy
Authenticity

Authenticity is at the heart of our video content. We focus on real people and honest stories — capturing genuine personalities and experiences that feel human and relatable.

Clarity

Great videos don’t rely on flash — they rely on substance. Strong writing, compelling visuals, and intentional editing work together to clearly deliver the message and leave a lasting impression.

Our approach

We customize our approach for every video project. We collaborate closely with stakeholders to create videos that reflect our values and resonate with our audience — whether that’s through an emotional story or a bold, promotional moment.

Pre-production

Authentic storytelling starts in pre‑production. This section offers an in‑depth look at our background and staging guidelines and should be considered the standard foundation for all projects.

Location, set selection and design

Sets are best selected rather than designed. Whenever possible, we film on location or in a studio with real backdrops, helping to ground subjects in a real, physical space. Set design is only used if no suitable set exists in the real world or in a usable filming location.

Background

The background of the set should be well lit, primarily white and airy, and with only subtle touches of greenery (if used). The goal is for our background to be as nondescript as possible, helping to draw the eye to the speaker in the foreground. Since we strive to capture the real world that our subjects live and work in, we do not use green screens, Kyndryl banners, artificial brand placement or other branded framing devices.


Bring us into the space. Show the simple beauty of the environment you are in with small details and grand wide shots. Feel free to experiment with bold framing, symmetry and depth.

Location indoor set design

Misuse

Low lighting

·    Avoid using low lighting

Green screen misuse

·      Do not use a green screen
·      Avoid using dark or colored backgrounds
·      Avoid filming in an abstract or artsy space
·      Avoid overly staging the shot or using too much greenery
·      Do not add banners or place products in the shot

Wardrobe colors
and clothing selection

Our color palette is flexible, allowing us to meet all expressions and use cases. In all cases, consider the background color and the subject’s hair color as part of the overall palette when planning staging and wardrobe. 

We don’t provide or prescribe clothing — subjects should feel comfortable and encouraged to dress as they normally would. To keep the look cohesive, simply be mindful of how hair color and wardrobe interact, and choose complementary palette colors for the environment to avoid visual clashes.

Wardrobe colors
Wardrobe colors

Our wardrobe colors include white, Cloud, Earth, Deep Forest, Sky, Spruce and Warm Red. A few sample combinations are shown above.

Accessories and makeup
Accessories

Clothing selection should be modern and simplistic, including only the personal accessories that the subject normally wears. For example, if the subject doesn’t wear jewelry in their day-to-day lives, don’t ask them to wear jewelry for the shoot.

Makeup

When it comes to the subject’s makeup, make sure the final look is always polished and “natural.” The goal is to frame the subject’s face, add vibrancy and accentuate their natural appearance — not to alter it.

Production

Capturing authentic personalities and telling dynamic stories requires certain framing and videography techniques. The section offers an in-depth look at our framing and videography guidelines and should be considered the default for all projects apart from customer success stories.

Video framing

Video framing and shooting guidelines

As with all of our visual guidelines, production should be kept to a minimum, allowing the natural movement of the subject and the authenticity of their story to lead. Focus on flattering, thoughtful framing — avoid bunched clothing, clashing colors or rigid positioning. Subjects should feel relaxed and comfortable, seated naturally in whatever position feels right to them.

Keep the space between the subject and the camera open; avoid placing objects like desks in between, as they can disrupt the sense of direct, face‑to‑face connection. Use a shallow depth of field and align the subject’s eyeline using the vertical rule of thirds. Light the scene with a large diffusion source that gently wraps around the subject, creating a soft, organic feel with gradual, balanced shadows. Pair this with minimal — or no — top light, depending on the environment, to maintain a natural look.

Aim for clean, well‑balanced compositions, make the most of available natural light, and don’t be afraid to move in closer. Embrace fluidity in both framing and movement to create an intimate, human result.

Three cameras

Depending on the video type and its intended use, we may use up to three cameras to capture footage. We'll walk through the differences between the A-Cam, B-Cam, and C-Cam shortly, but here are a few key principles to keep in mind regardless of which camera you are using.

·      Keep the camera at eye level
·      Always ensure the subject’s face is clearly visible in frame
·      Use the subject's eyes as the focal point, positioning them along the upper two-thirds of the frame, regardless of framing

A-Cam

A-Cam creates the feeling that the viewer is seated across from the subject, mirroring a natural, real-world conversation. Use a shallow depth of field so the ears fall slightly out of focus. Follow standard production guidelines for framing, lighting, shadows, diffusion, wardrobe and posture.

B-Cam

B-Cam captures a medium-close shot, framed halfway between front and side to create a sense of intimate eye contact. Match the shallow depth of field used on A‑Cam. Shooting from either the left or right is acceptable — choose the fill/shadow side. If budget allows, use smooth sliders or tracks; otherwise, a locked‑off shot works well.

C-Cam

C‑Cam establishes the setting using a wide or ultra‑wide shot, with more flexibility in depth of field. Unlike traditional establishing shots, this camera remains at eye level—never looking up or down at the subject. As with B‑Cam, shoot from the fill/shadow side. Be mindful of the environment and avoid revealing production elements or distracting objects. The goal is to make the scene feel authentic and lived‑in, not staged for a shoot.

C cam footage
Positioning misuse

Misuse

  • Avoid posing the subject in an awkward or overly staged position 
  • Avoid using heavy shadows and overly intense top light 
  • Avoid styling that makes the subject appear unkempt or uncomfortable
  • Do not break from the vertical rule of thirds
  • Avoid overdoing shading or shadows 

Exposure

Any exposure adjustments should be made thoughtfully, with the goal of preserving Kyndryl’s authentic tone and mood.

01

Brightness

Adjust brightness sparingly — only when needed to balance the lighting in captured footage that cannot be reshot under ideal conditions.

02

Contrast

We are shooting real stories with real people, so avoid overusing contrast. Too much contrast can introduce a staged look that works against the authentic look and feel we're aiming for. 

03

Highlights

Avoid strong highlights and heavy post-production shadows. This isn't a photo shoot and our subjects aren't actors or models. The goal is to present people as they are — natural, genuine and minimally edited.

Dramatic contrast

Misuse

  • Avoid adding artistic or overly stylized highlights or shadows 
  • Avoid raising or lowering contrast to affect the tone or mood
Luma

While exposure applies to the image as a whole, luma refers to specific tonal values within the image. The guidance remains the same: adjust sparingly and only when necessary to improve overall quality and preserve authenticity. Hue, saturation, and luminosity should rarely — if ever — be altered. The primary exception is when filming conditions require subtle adjustments to maintain the intended tone and mood of the visual.

Video specs

Clear, consistent video specifications help ensure the level of quality we expect across all Kyndryl creative work. Standardizing specs also makes it easier to curate and combine videos across different formats and use cases, while maintaining a cohesive brand look and experience.

Cameras specs

As noted earlier, most of our videos at Kyndryl follow a three‑camera approach. The guidelines below apply to all cameras in production, whether you’re shooting with a single camera (such as for B‑roll) or multiple cameras:

  • Aspect ratio (AR): 16:9
  • Resolution: 4K UHD
  • Frame rate (FPS):
    • 24 FPS (A‑roll)
    • 24–32 FPS (B‑roll, standard)
    • 48+ FPS (B‑roll, slow motion)

Portrait hero shots

When filming portrait hero shots, focus on the people directly impacted by a Kyndryl solution. For example, in a manufacturing customer success story centered on increased production capacity, a portrait of a line worker is more meaningful than one of a CEO. The goal is to highlight authentic, human impact — not hierarchy.

Filming hero shots

B-roll

Dramatic contrast
Common B-roll

Use B-roll as an opportunity to elevate your story by capturing moments that are an extension of your narrative. Before filming, think about where the B-roll will fit into your narrative and how best to visually represent that point in the story. Focus on showing authentic human moments like conversations and thoughtful reflection. When filming people working, try to make sure to shoot in clean, well-balanced compositions. 
The following guidelines detail the standards for common B-roll:

  • Avoid behind-the-scenes production shots
  • Avoid shots of people wearing masks
  • Avoid drone shots; keep the focus on people
  • Keep camera smooth and focused (avoid shaky cam)
  • Keep production work out of sight
  • Keep it candid (avoid forced laughter or posing)
  • Pick a subject and stick to it, minimizing pans and tilts
  • Shoot at eye level and show professional/work contexts when relevant
  • Use stock video sparingly, only with purpose and/or as a backdrop for supporting graphics
Slow-motion B-roll

For slow-motion B-roll, follow the same guidelines as common B-roll. In addition, shoot in 4K UHD at 30, 48 or 60 FPS for playback at 24 FPS.

Follow-along B-roll 

Follow‑along B‑roll is a key visual motif across all customer stories. When capturing this type of footage, look for natural moments — such as people arriving at work, walking through the lobby, or moving through hallways — that reflect a genuine day‑in‑the‑life experience. These moments should feel specific to the subject, capturing candid, relatable human interactions.

As long as the shots aren’t staged as hero walks or entourage moments, the filming approach can remain flexible. Handheld and dolly shots are both appropriate — just be sure to stay consistent in your approach across scenes.

Slow motion b roll
No clear subject

Misuse

  • Do not frame shots without a clearly defined subjet
  • Avoid filming people looking miserable, tired, eating or on their devices rather than interacting with each other
  • Avoid overly staging or posing the subjects 
  • Avoid showing set production work
  • Avoid capturing unintentional behind-the-scenes footage

Remote recording guidance

For helpful tips and best practices on remote recording, explore the in‑depth guidance linked below.
 

Remote recording guidance

Post-production

At Kyndryl, our post‑production guidelines reflect a simple philosophy: show, don’t tell. Today’s audiences don’t want to read about profits and margins — they want to experience real success stories through compelling narratives and social proof, told by people just like them. We focus on truthfully told stories that can stand on their own, keeping real people at the center. If a story can’t carry itself authentically, it doesn’t meet our standards.

The guidelines below help ensure our narratives maintain momentum and deliver multiple moments of impact, while preserving the authenticity that defines our video approach.

General editing

Narrative storytelling should sit at the core of every video. Editing should enhance the story — not create it. Strong stories emerge through thoughtful pacing, purposeful structure and restraint. The edit is where we begin shaping what’s already there into something clear, dynamic and meaningful.

Unless otherwise specified for your project, all Kyndryl videos should follow these editing guidelines:

·      Use only approved MOGRTs (Motion Graphics templates)            
·      Follow music guidelines
·      Do not remove natural  “um” or “uhs" — let speakers sound human 
·      Avoid adding animations or illustrations
·      Maintain pace and energy throughout the video

Audio editing and mixing

At Kyndryl, we prioritize clean, balanced audio that centers the voice of the customer, SME, or executive. When music is used, it should subtly support the story — adding rhythm and filling space without overpowering spoken words. We recommend understated instrumental tracks and avoiding anything busy or distracting.

We never use artificial sound effects. All audio should be recorded on location whenever possible, capturing the natural sound of the environment and helping the story feel grounded and genuine. 


Misuse:
·      Avoid distorting or peaking audio
·      Avoid pitching vocals
·      Avoid filtering vocals

Audio recording
Stock photography
Stock photography

Visual storytelling is essential to effective brand communication, and stock footage can play a supporting role when needed. When selecting stock, prioritize clean, bright visuals with airy neutrals and earthy greens that align with our visual style. When people appear on screen, look for natural movement, authentic body language, and varied perspectives that feel human and relatable.

Please note: Stock video should only be used when Kyndryl‑provided B‑roll is unavailable or does not adequately reflect the story being told. 

Misuse

  • Avoid using CGI
  • Avoid using animated stock clips
  • Avoid staging 
  • Avoid forced or exaggerated emotion
Animated stock clips
Color grading

Color

From motion backgrounds to makeup, color helps create a professional yet personable look that reflects Kyndryl’s boldness and forward‑thinking optimism. In video, color plays a key role in conveying warmth, energy, and passion across our visual portfolio.

While color use may vary by use case, always follow the guidelines specific to each application and avoid deviations without direct approval.

Color consistency

When creating brand assets, use our eight carefully curated colors: Warm Red, Spring Green, White, Cloudy, Skye, Spruce, Deep Forest and Earth. For digital use, two accessibility-focused digital colors are also available (Digital Dark Earth and Digital Dark Spring Green) and may be used when higher contrast is needed.

Always use the official color codes provided on the Color page; do not rely on computer-generated eyedropper values.

Color grading

Color grading brings balance and cohesion to footage after filming and should always align with Kyndryl’s visual guidelines. How and when you apply grading is flexible, but the goal is consistency and realism.

Use color grading to enhance quality — such as balancing tones or helping a subject stand out subtly from the background — not to dramatically alter mood or appearance. The final result should feel natural, as if the viewer is seeing the scene with their own eyes rather than through a heavily stylized lens.

Color balance levels

Misuse

·      Avoid overemphasizing certain colors
·      Avoid creating an unnatural appearance through color grading
·      Avoid changing the look and feel through color grading
·      Avoid using a filter of any kind for any reason

Video length

Timing is a crucial element of motion and is considered a visual element within filmmaking here at Kyndryl. Modern viewers have a short attention span — they want their information served in a quick, accurate and compelling way, with timing that seamlessly supports storytelling and visual elements. The guidelines below outline the methods we use to support our visual elements with complementary timing. Although there are no existing templates, these rules should help to remove the guesswork from the editing process. Please do not deviate from these guidelines without direct approval.

The Hot Start: First ten seconds

Open a story with the most compelling content to captivate and wow the audience right from the start. The first ten seconds of any video should be memorable and engaging, establishing the viewer’s faith in your ability to deliver a video that will be worth their time.

Maximum video length: Three minutes

At Kyndryl, our goal is to produce quick, precise and direct videos that leave an impact on our viewers with the least possible imposition on their time. Our data shows a 60% drop in engagement for videos that go longer than three minutes. For this reason, each Kyndryl video must be shorter than three minutes in total, including all intros, outros and music. The final product, all parts considered, should be no longer than 180 seconds from file start to finish.

Motion graphics templates

For our Kyndryl motion graphics templates (MOGRTs) files and guidance around
how to use them, explore our dedicated
MOGRTs page. 

Motion graphics templates logo

Deliverables and handoff process

01

Subtitles and closed captions

At Kyndryl, we prioritize accessibility across all content. Closed captions (CC) are provided on all digital videos using VTT files. Subtitles should never be burned in — please request explicit approval before pursuing that option.

02

Promotional
limitations

Do not use Kyndryl branding, elements, or assets in non‑Kyndryl projects. If you’d like to use a finished video for promotional purposes, contact the Kyndryl Content House (The Lab). If approved, they will share the appropriate publication details.

03

Handoff and file transfer

All files must be delivered using an established file‑transfer process. Requirements may vary by production partner, project or service agreement. Please coordinate with the Kyndryl Content House (The Lab) to confirm the correct transfer protocol before submitting any deliverables.

Deliverables

Deliverables are the files, items and other final products to be produced and delivered to Kyndryl to wrap up a project. To keep the wrap-up process simple and straightforward, we’ve assembled a list of what we need and compiled guidelines for how to provide them to us. It’s our hope that these goals will empower your team to keep the process moving quickly and reduce delays by providing a crystal-clear view of our requirements and requests.

Please consider the following guidelines when offering quotes, scoping workloads, producing assets and delivering the final package or demand kit. Unless explicitly stated by our Kyndryl Content House, all of the items listed below must be delivered exactly as described.

Mandatory deliverables

The following deliverables are required for all projects. This list is universal and applies in all circumstances unless specifically instructed otherwise by the Kyndryl Content House.

Localization Master

A clean version without text-based graphics

  • H.264 MP4 HiBand
  • ProRes 422
  • 1920x1080
  • Native frame rate
  • Audio stems
  • Source files (demand varies; check with Content House)
ProRes Master

 

  • H.264 MP4 HiBand
  • ProRes 422
  • 1920x1080
  • Native frame rate
  • Uncompressed audio
Playable Review Link

For external reviews with link-based access

  • A single, password-protected link to the video
  • No downloading or commenting privileges
  • No slates, countdowns or beeps
B-Roll String out

Raw footage of usable B-roll for future projects

  • ProRes 422
  • 1920x1080
  • Native frame rate
  • Ungraded, raw footage
Licensing Info

Talent releases, music licensing and any other applicable releases

  • Do not use SRTs
Audio Stems

Separate files for mix, effects and dialogue

  • Uncompressed AIFF or WAV files
MP4 HiBand
  • VBR 2-pass, 20–40 Mbps
  • 1920x1080
  • Audio 320 Kbps
Captions
  • All captions are delivered as VTTs; do not use SRTs
Please note

Please archive all video files for at least four years after its creation

The Kyndryl Events Team will occasionally ask for content to be delivered in 4K when building toward large-format viewings. Please do not deliver content in 4K unless asked.